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The Eve:
Why this pattern is
Revolutionary to
Bra Making

Bras by Kristen

Explaining the process of bra drafting for potential clients or drafting students.

 Here's the final installment on Anne Bertha's guest posts regarding root traces and wire alterations!

How to shape your wire

by Anne Bertha

So, you’ve made a plaster cast but you’re not sure how to translate this three dimensional

shape to a two dimensional pattern? Then this post is perfect for you.

Making a bridge pattern and wire trace off your cast

What you’ll need:

● Your cast (well duh)

● Paper

● Masking tape

● Some sort of flexible wire

I first present you... My cast!

Let’s start with the bridge pattern. Stick a few pieces of masking tape to the inside of the cast

bridge, carefully peel it off and stick it again on a sheet of paper. There’s no need to follow

the wire line to the millimeter, we’ll take care of that later.

Then, trace your bridge shape to another piece of paper and label it left and right.

Remember that these will not be mirrored! After this, my bridge pattern looks like this.

Next, it’s time to take your flexible wire and mould it to one of the wire lines of the cast. This

can be tricky to do with acceptable accuracy, so make sure you take your time.

Remember when I said we’ll do something about the inaccuracy of the wire line at the

bridge? The time is now. Simply make a copy of your bridge, lay your wire on the according

side of and trace the bit at the bridge. My actual wire trace is marked in green in the picture

below. Note: the low point of your left and right breast root might not be on a horizontal line

as in my case, one might be lower than the other. This can best be determined standing in

front of a mirror. You want to account for it in this step if applicable.

Now it’s time to determine whether you’re one of the lucky people who fits in a ‘standard’

wire. Print off some wire charts and match your flexible wire to the charts. Try rotating it,

flipping it, whatever may work for you. If you find a match, awesome! The quest ends here

for you. For the other ones, I will describe a method you can use to shape wires after your

individual shape.

A little bit of science

The method I’ll be using was developed by a fellow Bare Essentials drafter. She used the

property of metal that when hammered on a particular area, that area will stretch. This forces

the metal to bend slightly. A wire is basically a flat, thin strip of metal which is bent. You can

manipulate this bending by hammering on the inside or the outside of the wire with the ball

end of a ball-peen hammer. I’ll explain this using the picture of a metal ruler.

If you would want to curve it like in the picture below, it means that the top will have to be

longer than the bottom.

To get this result, we would have to hammer the top of the ruler since we want that side to

lengthen. Basically, that’s the technique used to shape wires after your very own trace.

How to apply the science

First, some preparation steps. Trace the inside of the flexible wire. The center front is fixed, I

marked a black dot there to show that this is the highest point of my bridge. The side

however is more up for interpretation, the height kind of depends on how high you made

your cast. It will work for now, you can determine the exact side height afterwards by trying

on your customized wires.

To get started with the next few steps, you’ll need uncoated wires. I started from regular

wires size 60. They are not heavy gauge, so I will be doubling them up inside the

channeling. The fact that they are a more regular gauge does mean that the following

process will be easier.

You will need a ball-peen hammer and an anvil or a table vise with anvil-like attachment.

Start at center front, and lay the inside of your wire against the trace. Try following the traced

line as far as possible. You’ll notice that at some point, the trace and the actual wire will

diverge. Mark this point on both sides of the wire.

If you would recreate this image, you would notice that if you ‘stretch’ the wire to match the

trace, you actually need to stretch the inside of the wire. This means I needed to hammer on

the inside of the wire around the marked point (going 1⁄2” or 1.2 cm left and right) to bend the

wire into the shape of the trace. Always make sure you hammer on both sides of the wire

(front and back), since otherwise the wire will distort.

After hammering, the wire looks like this. I again marked the diverging point. Now, the wire

needs to be stretched and thus hammered on the outside to make the wire curve inward

towards the trace.

Here’s the final result. Be sure to mark your wire as soon as you finish them.


Acknowledgement: this post would not have been possible without the knowledge of Grace

Horne. I will always be grateful to her.

The following is a guest post by Anne Bertha.  Anne's root shape was different enough to require more shaping to her wires than most people, so she worked, ever so diligently, to sort out what she needed to make her bras work for her. 

Root Trace Methods

by Anne Bertha 

While some people find their wire shape and size easily, it can prove to be a real

challenge for others. There are some ways you can make this process easier

however. All the methods have one idea in common: to make a mould of your

ribcage so you can decide which wires are the best fit. There’s always a compromise

to be made between ease, cost and accuracy.

I will be discussing the pros and cons of three methods: using masking tape, tin foil

and making a plaster cast. Finally, I’m showing you my root trace on paper.

First up: masking tape mould.

The idea behind this one is quite simple: by sticking layers of masking tape to your

body and carefully peeling it off, you’re able to replicate your wire root shape on

paper in 2D.

Notes: You want to make a construction in which your breasts are encased, with kind

of like anchor points. Otherwise, when you peel your tape construction off, it will lose

its shape.

Pros: Easy and cheap way to get a rough idea of your root shape.


Cons: Can be painful to peel off, depending on the masking tape itself. Because you

mould it to your body (3D) and try sticking it to paper (2D) afterwards, it’s not that

accurate. It can be quite tricky to figure out how to stick it to paper without distorting

the shape.

Second: tin foil mould.

Tin foil has an interesting property: it’s malleable and will hold its shape quite well. I

made this one by moulding pieces of tin foil to my body and sticking them together

as well as to my body using masking tape.

Notes: Try and keep the mould quite flat. I folded some tin foil, shaped it, but in some

places I got a little overexcited and the tin foil piled up. It won’t stick to the masking

tape as well then.

Pros: Easy and cheap way. A bit more expensive than the tape mould, but also

much more accurate.


Cons: There is a hint of a 3D shape there, but it’s still much more of a 2D shape. You

don’t get a clear idea if your ribcage is particularly cylindrical and you might need to

bend your wires or not.

Third: plaster cast

For a how-to, read the separate blog post. Because this shape is very 3D, it can be

tricky to translate it to paper to get an idea of your wire size and shape. I suggest

taking a flexible wire, moulding it to the cast and then scanning that wire.

Pros: Very accurate method to get a 3D mould of your ribcage.

Cons: You need specific materials and, preferably, a second person to make the

mould on you. It takes a while to dry so for the impatient ones amongst you, you’ll

have to wait at least a day to start working with it.

The result

This root trace on paper is made using the tin foil mould, which was quite easy to

translate to paper. Not only does this root trace allow for an accurate way to

determine wire size and shape, it also makes it possible to make a custom bridge

pattern. After I shape wires after my root trace (more on this in another blog post), I

use the plaster cast to bent them so they follow my body as best as possible.

Which method you choose is up to you, they all have their pros and cons and will all

help you towards a better wire (and thus bra) fit. If you have additional ideas,

suggestions, or want to share how yours turned out, feel free to do so in the

comments!

 


This January, I am honored to be participating in Porcelynne's Live Draft Along as an instructor. Access is already open at courses.porcelynne.com/course/january-2021-live-draft-along/ 

There will be Facebook Lives in a private group (link accessed in the course platform above) and then the videos will be moved over to the above link for forever access. 

Also, I'm offering fit sessions for the students attending the January Draft Along event available at my own course site, https://sewingbycarolyn.vipmembervault.com/





In bra patterns, makers have to pick a width between the breasts. This is usually another average and in Ready to Wear, it's another difficult hurdle, for some, to find anything that fits. 



In my posts about a client's fitting band Part 1 and Part 2, I shared a band where I had extra seam allowance in the center front to give the ability to account for altering the bridge for the angles the wires may need to sit to trace the inframammary crease on each person's body.  


In this photo above, the bridge I had made was too wide and I pinned it in on the client.  The photo below is how those pins translated into altering the band. This particular client needed the wires to overlap at the top and a little extra space at the bottom. 


Another way to be able to alter this space is to "take a measurement," so to speak, by making card stock bridge halves that perfectly align with the shape of the wire. An easy way to do this is to trace the wire on paper, or take a photocopy if you have a copier. This can be taken at the time of measuring for a bra, and fitting the wire.  Technically, you are fitting not only the bridge, but you are deciding at what angle the wires need to sit to follow the shape of your body, all at the same time. Also, this may help those who have one breast higher on the body than the other, you can paperclip the cardboard to match your shapes and trace at your drafting table. 


The wire basically is shaped like a circle (in most cases) and the bridge area represents a quarter of the circle that the wire is based on. For those who are drafting with Bare Essentials, Third Edition, this is the quarter wire circumference from your particular wire. 

Then, place a paperclip at the top and the bottom of the two pieces, and you can scoot them together; you may need to fold the paper if it's too wide, because some people need to overlap wires. You can slide them apart, or at different angles for what your own shape is like, to give you an idea of how to angle the bridge on the pattern to make the wires sit along your anatomy.  Below are 3 angles of bridge testers, note the angle of the wires in each picture. 






Once you have the cardboard shaped like your bridge, you can trace them on a piece of paper and fold in half to compare with most patterns.  Most patterns are cut the center front on the fold, so most of the time, it is just a matter of changing that angle of the center front fold like I did on the fabric with the purple markings.



The Bare Essentials Drafting Method aims at taking measurements that any home sewist can take for themselves, input into a her calculator, and have the calculator do the work for you. Jennifer has brought to the drafting table the math so it takes some of the mystery and secrecy out of bra making.  The videos below are how to take the measurements and use the online calculator to get the figures necessary to follow the drafting method from the book.




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